Thursday, 29 October 2015

Week 7: The Scientific Vernacular (progress)

To what degree can bamboo technology control the environmental conditions of interiors and semi-interiors compared to industrial building materials?


Introduction

From the external perspective, as objects for the eye of a distanced beholder, bamboo buildings appear first as works of art, as arrangements of volume and void and colour, as sculpture. The eye is pulled by the building’s appearance into its plan into its use; emphasizing the most important dimensions of buildings lie inside. The experience of the interior makes the provision of internal spaces to shelter people and help them order social occasions.  None of these developed in extreme climates.
We humans have desire a certain minimum level of comfort inspite of the weather or location. The major elements of climatic environment which affect human comfort are air temperature, air movement and humidity through our bodily heat transfer of heat gains and heat loss and noise level. Therefore, shelter is the main instrument for fulfilling the requirements of comfort. It modifies the natural environment to approach optimum conditions of livability.


The building envelope is the physical separator between the interiors and exterior of the building. Components of the envelope are typically walls, fenestrations, roofs and floors. In this paper, a brick-concrete building is selected as a baseline with the same floor area and window ratio as the bamboo-structure building; is compared to distinguish intrinsic differences of the technical potentials of the environmental conditions of interiors and semi-interiors.


Thermal Insulation

Envelope insulation being assessed through energy use and carbon emission is identified within the boundary of the functional requirements of the building.

 According to Dongwei Yu et. al., they indicate the bamboo-structured building has an embodied energy or carbon of 3003.4Mj/m² and a thermal resistance of 168.9kg CO₂/m²; in contrast to having a brick-concrete building of 3532.90Mj/m² of embodied energy used and 326.1kg CO₂/m² of thermal resistance.




The embodied energy and carbon parameters the envelope in the two types of buildings with regard to main envelope materials, bricks used in brick-concrete building have Pe.k = 2409.8  and Pc.s = 192.8 in contrast to Pe.k = 53.6 and Pc.s = 3.13 for the bamboo-structure building. Therefore, the walls of the bamboo-structure building have lower embodied energy and carbon and higher performance thermal insulation than those of the brick-concrete building. It implies that the bamboo-structure building has a promising perspective to be one of the sustainable buildings. In general, the embodied energy or carbon on a volumetric basis increases with the increasing density; while the thermal conductivity decreases with the increasing density.

Wind Pressure

Roof with walls that pass breeze but not rain is the most ideal for building by maximising natural ventilation. Both positive and negative pressures occur simultaneously when wind interacts with a building. The differences between a bamboo-structure building and a brick-concrete building are the open eaves and porous bamboo slats for walls and floor that maximize natural ventilation. The most extensive use of bamboo in construction is for the walls and partitions. They are the major elements that carry the dead load and live load of the building. An infill between framing members is required to complete the wall to protect against rain, wind, animals; and to provide in plane bracing to ensure the overall stability of the overall structure when subjected to horizontal forces.

 Wind can cause an increase or decrease in pressure within the building. Internal pressure changes occur because of the porosity of the building envelope (eg, openings of doors and windows, air infiltration through walls that are not absolutely airtight).



When a building is pressurized, the internal pressure pushes up on the roof. This push from below the roof is combined with the suction above the roof, resulting in an increased wind load on the roof. The internal pressure also pushes on the side of the rear walls. This causes the roof cover damage (eg. Metal edge flashing lifted) and window damage (eg. Outer panes of windows broken) occur due to the pressure of the aerodynamic forces. The monitored wall section was subjected to air pressure differentials, outdoor-to-indoor, within ±18 Pa, which is typical for most brick-concrete buildings.



When a building is depressurized, the internal pressure pulls the roof down, reduces the amount of uplift exerted on the roof and pulls in the windward wall, which increases the wind load on external wall. Therefore, the air pressure differential outdoor-to-indoor reduces to the range in between -9 to +2Pa.


Solar Shading




Tropical climates are hot and humid. Therefore keeping the heat of the sun off is the top priority. Bamboo-structure building provides a unique screen that protects the building from intense sun and provides a veranda. The windows and prefabricated walls are so well insulated that the home’s primary sources of heat are the occupants and the sun and a heat recovery ventilator provides fresh air. The temperature difference between the exterior and the interior of a bamboo-structure building averages 4-5 degrees on a hot summer day.


Acoustic

Bamboo-structure building is also a sound barrier that drowns out noise. But, the screen must be dense and at least 3 to 8 feet wide; thus depending on the cause of the noise. According to forestry experts, bamboo has a reflection, absorption and blocking effect to sound wave. It can greatly reduce noise level by 10-15 dB. Therefore, bamboo-structure building creates a unique sound environment and soundscape. But brick-concrete building has a higher noise transmission loss of 32-36 dB. It is already known for its specified for noise barriers. According to Anderson (1984), Effects of vegetation on human response to sound, a 10 dB reduction makes a sound appear to be half as loud as our human ear does not perceive sound in a linear way. Therefore, bamboo-structure building is sufficient to reduce noise at the surroundings.


Conclusion

This vernacular architecture has grown out of simpler forms of indigenous building as done by more primitive cultures, and usually includes the same set of climate responsive parameters and similar materials but using somewhat higher technology in the construction. It has been built to reduce the range of local climatic variations; to avoid some of the heat of the sun in hot climates, to welcome the breezes when they can provide desired cooling and to admit light in sufficient amounts for task lighting and to keep out excessive or unnecessary light. Bamboo, as an alternative building material, helps in decentralizing the construction process which has both economic and ecological advantages; to control environment conditions for human comfort.

Modal Making Week

Inspiration from Vietnam's Bamboo Architecture

The modal below explains the understanding of the ability of the bamboo as an alternative building material.

Bamboo has offer a rapidly renewable resource. It's panelling adds beauty and flare to shelter; thus bamboo panels can be placed around posts, ceilings, walls and more.


Varied spacing and thickness of the bamboo canes creating the walls of the house, each defining a different level of fluidity from one space to the next.



Dappled light penetrates between the thin stalks, as though the shelter were built from the forests; creating a frame of nature.


Bamboo shows on light and natural materials to get a new kind of transparency, blurring the delineation of the building's enclosure.



The structure built out of holes, creating a matrix of thin travertine plates that creates a porous skin, allowing wind and light to penetrate.

Week 5: Vo Trong Nghia's Project

A Vietnam study trip was planned on the 25th September 2015 to visit Vo Trong Nghia's completed projects.

Farming Kindergarten

Vietnam Kindergarten that has a vegetable garden on its knot looping roof.




House for Trees

Trees grow on rooftops of Vietnam House






Bin Thanh House

A Vietnamese Studio with half of its floors screened behind hollow blocks and the other half exposed to the elements.



Cafe next to Wind and Water Bar






Sunday, 13 September 2015

Week 4: The Service of Imagination

How does Heatherwick harmonises technology with human scale materiality into a non-human scale building outcome?

Thomas Heatherwick’s Background
Thomas Heatherwick is an imaginative English designer; having his design studio based in London. His upbringing influenced his exposure towards making, crafts, materials and invention on small scale. Having looked at the large scale building designs, Heatherwick felt soulless and cold; but the small scale object such as earring or musical instrument; was a materiality and soulfulness; having its physical existence. Therefore, in the world of buildings, Heatherwick noticed the absence in user-centered design although there is still presence in conceptual ideas to generate building forms and spaces. He then creates an opportunity through underpinning these soulless buildings; presenting his own determination through his projects. In that, how does Heatherwick harmonises technology with human scale materiality into a non-human scale building outcome?

As a result, Heatherwick’s design always starts with a question: “How can an electron microscope help to design a building?” He rasterises each project from masterplan to bits and pieces of details that can be touch and analyse; going back and forth without being detached from its context and intension; zooming in to interrelate human scale and human senses. Hence, Heatherwick’s projects connect spectators and end users through a powerful point of the object that would allow doing something that is possibly smaller instead of one big project.

UK Pavilion; The Seed Cathedral


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSbuEPzkH0l-TAXcwwGq2KI9BqmFYnTKcNXgVup3QXd2gA3tSuc3vGOI_qVJedB0XxQYj9ec49Wwl_-S3v01Sm0DL7cy3OdObd4-4jAn53ZS1oCUO85OWyccaANItTGvgKIDonPHPjlnU/s1600/UK_Section.jpg

https://www.yatzer.com/sites/default/files/article_images/2173/shanghai_expo_pavilion_heatherwick_studio_expo2010-yatzer_7.jpg

http://www.architectsjournal.co.uk/news/daily-news/shanghai-2010-seed-cathedral-will-not-be-sold-says-fco/8605455.article#

Using the UK Pavilion; The Seed Cathedral as one of Heatherwick’s case study, its human scale materiality was the outcome from London’s greenest city in the world; relating the materiality with public parks, gardens, squares and the world’s first botanical institution; it creates a humane execution where trees and seeds became an idea. As everyone already knew that tree are beautiful but seeds are not on show in these botanical gardens. Therefore, the phenomenal of utilizing seeds would be ideal for the project; creating some kind of seed cathedral that fuses the building and content together; making the whole thing emanate.

http://cdn.vectroave.netdna-cdn.com/wp-content/uploads/2010/05/Shanghai-World-Expo-2010-UK-Pavilion-By-Heatherwick-Studio-3.jpg

http://cdn.vectroave.netdna-cdn.com/wp-content/uploads/2010/05/Shanghai-World-Expo-2010-UK-Pavilion-By-Heatherwick-Studio-3.jpg

Furthermore, Thomas Heatherwick uses an idea from a Play-Doh hair to generate the form and façade of the seed cathedral; capsulizing these 66,000 seeds into the ‘optical hair’ that grow through a simple box element. As a result, the final design of the seed cathedral became a metaphor for the movement of English grass.

https://www.youtube.com/watch?v=waQY0BuZ_jc&hd=1

https://structuresandspans.files.wordpress.com/2010/06/seed.jpg

https://www.youtube.com/watch?v=waQY0BuZ_jc&hd=1

The simple box element comprises a cuboid construction that supports 66,000 7.5 metre long acrylic spikes. The spikes on the outside of the pavilion take your breath away due to the scale of these 66,000 members is phenomenal. Inside the pavilion, the spike tips encapsulate seeds that received from Millennium Seed Bank at Kew Gardens, London; revealing both UK Pavilion’s message and Heatherwick’s concept to visitors. The choice of material for the spikes, along with their design, fabrication and assembly, provided the most exciting technological, design and construction challenges.

https://arch5541.files.wordpress.com/2012/10/seed-cathedral-9.jpg

https://arch5541.files.wordpress.com/2012/10/seed-cathedral-10.jpg

https://arch5541.files.wordpress.com/2012/10/seed-cathedral-11.jpg



http://www.detail-online.com/uploads/pics/1278972000_301_1474_460.jpg

https://arch5541.files.wordpress.com/2012/10/dscn0696_edit.jpg

The seed cathedral was designed for its locality as it has to accommodate an air temperature of up to 40 ° C, monsoon wind gusts up to 120km/h and its seismic activity. The fine-tuning of the slenderness of each spike is demanded to make it move with the mild winds but also resist typhoon loads. A detailed assessment of strong winds on the projecting surfaces of the spikes from the box affects the stability of the pavilion. Although the spikes would protect each other when the pavilion was completed, but they would be susceptible due to high wind loads during construction progress. Each identical spike comprises an acrylic extrusion with 2 aluminium sleeves of different lengths; having one inside the other. These reinforce the section near their connections to the box, providing the required strength near the spikes’ roots and allowing flexibility for lateral movement thus also considering the anticipated cyclic movements. Therefore, holes made for bolt fixing were avoided. The acrylic extrusions are 20 x 20mm; whereas the support will be a larger aluminium sleeve of 30 x 30mm. The spikes are set out from their tip for visual purposes; being separated by 100mm apart.

Google Headquarter
http://assets.inhabitat.com/wp-content/blogs.dir/1/files/2015/02/google-north-bayshore-heatherwick-big-537x405.jpg

http://www.clivewilkinson.com/case-studies-googleplex-a-new-campus-community/

http://www.clivewilkinson.com/case-studies-googleplex-a-new-campus-community/

http://www.clivewilkinson.com/case-studies-googleplex-a-new-campus-community/

Continuously with its technical bravura and lush public amenities, a project for Google at its headquarters in Mountain View, Calif, faces an uncertain future. The project is collaborating with Mr Ingels, the Danish architect, who thinks much the way Heatherwick does. The campus is designed with a strong emphasis on the natural environment, with office buildings contained within large dome-shaped greenhouses and abundant plant life present both inside and out; also to overcome direct daylight and reduce heat production within the internal spaces.

http://assets.bwbx.io/images/i0MLyV6pZCGk/v2/-1x-1.jpg

http://assets.inhabitat.com/wp-content/blogs.dir/1/files/2015/02/Googleplex-BIG-Heatherwick-Designs-537x329.jpg

http://assets.inhabitat.com/wp-content/blogs.dir/1/files/2015/02/google-north-bayshore-heatherwick-big-8.jpg

http://assets.inhabitat.com/wp-content/blogs.dir/1/files/2015/02/google-north-bayshore-heatherwick-big-13.jpg

Both Heatherwick and Ingels have decided to focus on real life intervened solution to overcome direct daylight and heat by utilizing the idea of an umbrella. The idea came by just like the existing shutters where occupants will be able to adjust the shades to control the light and heat levels within the building. To make do with this small scale materiality; thousands of mini umbrellas will be installed against the ‘dome-shaped greenhouse’, turning the human-scale materiality into a large sheet of shading device for the entire building facade.



http://static.dezeen.com/uploads/2013/04/dezeen_Umbrella-Facade-for-the-Madrid-Pavilion-by-3Gatti-Architecture-Studio_6.gif
  
http://static.dezeen.com/uploads/2013/04/dezeen_Umbrella-Facade-for-the-Madrid-Pavilion-by-3Gatti-Architecture-Studio_5.jpg

A case study from 3Gatti Architecture Studio who has proposed a similar concept of an umbrella façade for the Madrid Pavilion from the 2010 Shanghai Expo proves the build-ability of the building façade. Having each umbrella to be able to be controlled by a pulley to allow people to interact with it; creating a three dimensional attractive star façade thus blocking away most of the sunlight and strong wind; with an aerodynamic shape to resist structural tension in case of typhoons.

Conclusion
To summarized the use of technology above, Thomas Heatherwick takes advantage of the human scale materiality without using high-tech solutions, but goes for a spectacular low-tech approach instead. Besides that, Heatherwick celebrates his design solution combining with a complex structure with a simple, quiet and reverent message to the spectators and end-users; creating a beautiful and poetic narrative emerging-designed to capture moments of the idea. I believe Heatherwick is interested in the gaps between conventional disciplines; redefine something when a new genre offers an opportunity while most people barely think about the design of the objects around them. His upbringing influenced him from the beginning to have a strongly programmed idea that things were for the making. He has a profound commitment to find innovative design solutions at every bit of scale regardless of an object. As a result, Heatherwick’s unique skill of making the ordinary extraordinary; harmonizes technology with human scale materiality into a non-human scale building outcome. With the innovative of designers to mix-and-match with the large spectrum of materials, architecture design of the 21st century can be further pushed to the limits of both engineering and design.